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Sir Ian McKellen (1939 - )
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Gods
and Monsters (1998, 105 min, US)
In a performance that is nothing short of
brilliant, McKellen hypnotizes as gay film director James Whale in
this moving, poetic adaptation of Christopher Bram's novel
"Father of Frankenstein." The story ostensibly follows
the friendship between Whale -- now in his early 60s and suffering
the effects of a stroke -- and his handsome straight gardener
(Fraser); but at the core of this lyrical tale is a study of
desire and self-determination. In the 1930s, Whale made a handful
of Hollywood classics (including Frankenstein); it's now
1957, and he is no longer able to live his life on his terms.
Knowing that Whale was found dead in his swimming pool, the
filmmakers have concocted a probable scenario which ends in a
cynical pièce de résistance. Bringing compassion and
elegance to Whale, McKellen's portrayal is so rich in nuance and
shading that he makes you forget it's acting. Fraser is excellent
as the ex-Marine who captures Whale's heart and, in turn, respect.
Their bond is poignantly resilient. It is what gives Condon's film
its power, its grace and its heart.
Starring: Ian McKellen, Brendan Fraser,
Lynn Redgrave, Lolita Davidovich, Kevin J. O'Connor, David Dukes
Winner - Best Actor - Ian McKellen
 | National Board of Review |
 | Broadcast Film Critics Association |
 | The Independent Spirit Award |
 | Los Angeles Film Critics Association |
 | Chicago Film Critics Association |
 | Florida Film Critics Circle |
 | San Diego Film Critics Society |
 | Toronto Film Critics Association |
 | Online Film Critics Society |
 | Online Motion Picture Academy |
 | The Chlotrudis Award |
 | San Sebastian Festival |
 | Film in Noir Festival |
Bent
(1997, 100 min, GB)
A striking adaptation of the stage play, Bent
shifts its drama from the decadent gay German nightlife (which
earned the film its NC-17 rating) to the horrors of a Nazi
concentration camp. And yet, playwright Martin Sherman has created
a moving love story out of the characters' despair. The intense
passion that develops between Max (Clive Owen) and Horst (Lothaire
Bluteau) is heartfelt especially considering their relationship is
mental and emotional, rather than physical. However, in opening up
the play for the screen, director Sean Mathias (who directed the
London stage version) can not escape some of its theatrical
trappings. The film's plotting is occasionally clumsy in the big
dramatic moments, but Bent remains powerful nonetheless.
Owen and Blutheau give gutsy performances in the lead roles, and
they are ably supported by Mick Jagger (in drag in the nightclub
scenes) and Ian MacKellan (who starred in the London stage
version). In addition, Rupert Graves has a cameo as a Nazi
officer.
Starring: Clive Owen, Lothaire Bluteau,
Mick Jagger, Ian McKellen, Rupert Graves.
More Films:
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Comprehensive information about one of the
world's outstanding actors, including Sir Ian's personal
commentary on many of his stage plays, films/cinema, and
television/video.
This is a fun site.
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From MovieThing
Excerpt:
On May 25th, 1939, in the small town of Burnley
in northern England, Ian Murray McKellen was born. His parents,
Denis (a civil engineer) and Margery, soon moved with Ian and his
sister Jean to the coal mining town of Wigan. It was in this small
town that young Ian would ride out World War II.
Growing up in the small town, he soon developed
a fascination with acting and the theater, which was encouraged by
his parents. They would all bring him to plays, those by William
Shakespeare in particular. The amateur school productions fostered
Ian’s growing passion for theater. When Ian was of age to begin
attending school, he made sure to get roles in all of the
productions. At Bolton School in particular, he developed his
skills early on. Indeed, his first role in a Shakespearian play
was at Bolton, as Malvolio in Twelfth Night...
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Names Index:
A B
C D
E F
G H
I J
K L
M N
O P
Q R
S T
U V
W X
Y Z
| Authors
Index | Scholars
Index |
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