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Kay Francis  (1903 - 1968)

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Little Men (1940)

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It's a Date (1940) It's a Date (1940)

Deanna Durbin and Kay Frances make a good daughter-mother team in this quite confused film which is fun enough, though it quietly dissolves into vague intentions. The last scene--Durbin as Saint Anne singing "Ave Maria"-- has nothing to do with ANYTHING which precedes and totally mismatches the mood of the film (or the play about Saint Anne Durbin is supposed to be starring in). What WERE they thinking?

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Kay Francis Filmography:

Dangerous Curves  (1929)

The Cocoanuts  (1929)

Behind the Makeup  (1930)

Street of Chance  (1930)

Passion Flower  (1930)

For the Defense  (1930)

Let's Go Native  (1930)

Raffles  (1930)

Girls About Town  (1931)

The Vice Squad  (1931)

Ladies' Man  (1931)

24 Hours  (1931)

Transgression  (1931)

Guilty Hands  (1931)

Jewel Robbery  (1932)

False Madonna  (1932)

One Way Passage  (1932)

Cynara  (1932)

Trouble in Paradise  (1932)

Storm at Daybreak  (1933)

I Loved a Woman  (1933)

The Keyhole  (1933)

Mary Stevens, M.D.  (1933)

Doctor Monica  (1934)

Wonder Bar  (1934)

Mandalay  (1934)

The Goose and The Gander  (1935)

Stranded  (1935)

I Found Stella Parrish  (1935)

Living on Velvet  (1935)

Give Me Your Heart  (1936)

The White Angel  (1936)

Another Dawn  (1937)

Confession  (1937)

Stolen Holiday  (1937)

First Lady  (1937)

Secrets of An Actress  (1938)

My Bill  (1938)

Comet Over Broadway  (1938)

Women Are Like That  (1938)

In Name Only  (1939)

Women in the Wind  (1939)

King of the Underworld  (1939)

Little Men  (1940)

It's a Date  (1940)

When the Daltons Rode  (1940)

Play Girl  (1940)

The Man Who Lost Himself  (1941)

The Feminine Touch  (1941)

Charley's Aunt  (1941)

Always in My Heart  (1942)

Between Us Girls  (1942)

Four Jills in a Jeep  (1944)

Allotment Wives  (1945)

Divorce  (1945)

    

Kay Francis Biography

By Leonard Maltin, from the Internet Movie Database

Film buffs still revere her, but the public at large has forgotten Kay Francis, despite the fact that she was one of the top screen stars of the 1930s. Dark-haired and sad-eyed, with a slight but easily distinguishable lisp, she often played fallen women and fashionable society types...

  

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